HomeFundingProjectsViewfinder / Viewfinder Plus

Viewfinder / Viewfinder Plus

Beacon Films
Grantholder

A talent development initiative that supports filmmakers with disabilities, autism and additional needs to take their skills and aspirations to the next level.

Project information

£219,000

Grant amount

July 2015

Date awarded

September 2015 – December 2021

Project duration

Newcastle

Location

Project Detail

Viewfinder was a film-making and talent development programme that supported filmmakers with disabilities, autism and additional needs. It was run by the award-winning Beacon Films (FKA Beacon Hill Arts) based in Tyneside, the first Film Academy in the UK to focus on supporting filmmakers with a disability.

Participants attended a regular programme of Filmmaking Surgeries to develop talents in specific production areas, and showcased their abilities by making short films. The sessions also allowed budding filmmakers to improve their skills by attending masterclasses by industry professionals. Participants also developed and ran their own self-led groups.

After three successful years of Viewfinder, the programme was extended for a further three years as Viewfinder Plus, engaging 40 project members across forty-eight film skills workshops. Members showcased their filmmaking skills at events with sector colleagues through a series of screenings and member-led workshops, with the intention of securing voluntary or paid placements through the programme. Many participants went on to work in placements in organisations in Newcastle and Tyne and Wear.

Over the course of the programme, Viewfinder artists received over 70 international festival selections, winning 11 nominations and 14 awards.

Impact & Learning

  • Key Achievements:

    During the first phase of Viewfinder (2015-2019) –

    • 47 members attended a total of 72 sessions.
    • 32 members worked on 6 commissions producing 11 films through 1562 volunteer hours. Additionally, members took part in a Skillset (industry skills council) skills workshop, a mentoring and a volunteering programme.
    • Members reported (through two different surveys):
      • 81% said the project helped them work better with others.
      • 68% said the project helped them do more by themselves.
      • 73% said the project helped them achieve their chosen volunteering skill/goal.
      • 91% said the project helped them achieve their chosen filmmaking skill/goal.
    • It is conservatively estimated that total audience for the commissioned films produced as part of the programme was 15,543.
    • In a survey of the audience who attended the 2018 Viewfinder film premiere, 94% of respondents agreed with the statement that “films made by Beacon Films increase awareness in communities of the potential of disabled people”.
    • 32 membersworked on 6 film commissions, producing 11 professional films and contributing 1,562 volunteer hours.
    • High self-reported gains:
      • 91% said the project improved filmmaking skills.
      • 81% said it improved teamwork.
      • 73% said it helped achieve personal volunteering or career goals.
    • Members learned project management, client communication, and editing techniques.
    • Films produced for clients including BBC Tours Newcastle, Food Nation CIC, St Camillus Care, Go Wild in Nature CIC, Drummond Central, and others.
    • Additional 27 filmsproduced for further clients and partners.
    • One film, Hidden Histories, won the Historic England Angel Award 2017.
    • 92% of participants said they felt better about their life and futureas a result of taking part in the programme.

     

    During the second phase, Viewfinder Plus (2019-2021) –

    • Beacon Films transitioned into a more member-led organisation, with:
      • A Project Design Groupestablished in 2019 (six experienced members shaping project ideas and decisions).
      • Two members, Jules Fraser and Zosia Feher, appointed as company directorsin 2020.
      • Members directly involved in reviewing and updating the organisational outcomes framework.
    • 55 disabled, autistic, and neurodivergent filmmakerstook part
    • Over 500 hours of online workshopswere delivered during COVID-19 lockdowns.
    • Members developed advanced technical skills (split-screen, animation, voiceover) and more creative independence.
    • The Forty Films Festival(2020) showcased members’ work online, reaching over 6,000 views.
    • 15 films screened at national and international film festivals.

Key Learning

The first evaluation outlines a journey for Beacon Films around the way they evaluate their project. One of the priority outcomes was that “disabled and non-disabled people overcome (self-) limiting beliefs, increase confidence and have more positive attitudes towards participation”. They initially approached this question by asking quite a complex set of questions around perceptions of disability, but found these returned quite limited answers.

The evaluation outlines the learning process like this:

After attending a session at Spirit of 2012 (April 2017) about approaches to the ‘perceptions of disability’ question, we ditched our old method and opted instead for the ONS question: How positive do you feel about participating in your community? We chose this because: we felt it was potentially understandable for all (if it was asked in the right way); we felt it was relevant to the people we wanted to ask (our project members, the vast majority of whom consider themselves to have a disability).

 This began a fascinating process for us, because firstly we had to establish that project members understood the question. So, we started by unpacking the meanings of ‘positive’, ‘participating’ and ‘community’. Then we asked them for examples of where they do this, followed by how ‘positive’ they feel, followed by whether they think Viewfinder helps, followed by what we can do to help more. What we discovered – and which has led to changes we made to the survey in the final redraft in August – is that this has the effect of people only referring to ‘positive’ things they do in their community. So, the revised question (for Viewfinder Plus) asks people to describe what they do in their community before they rank how positive they feel about it (not at the same time).

The second evaluation, for Viewfinder Plus, details Beacon Films’ changing approach as an organisation over COVID-19, including their move towards being a member-led organisation, with member representation on their board. They found that becoming member-led required structure:

  • Members thrived when involved in decisions but needed guidance and facilitation.
  • Self-led groups (e.g., Cinema Society, Vlogging Group) showed high enthusiasm but required light-touch staff support.
  • Embedding member input into governance strengthened independence and organisational identity.

This shift also highlighted several tensions which the organisation had to navigate:

  1. Filmmaking skills vs. life/employability skills– balancing creative depth with transferable outcomes.
  2. Beacon Films as employer vs. enabler– when to act as intermediary versus empowering members to work independently.
  3. Member independence vs. organisational sustainability– encouraging autonomy without losing creative talent.

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